1950s Housewife

The comedians of the 1950s and 1960s were a totally different breed of relevant, revolutionary performer from any that came before or after, comics whose humor did much more than pry guffaws out of audiences. Gerald Nachman presents the stories of the groundbreaking comedy stars of those years, each one a cultural harbinger: - Mort Sahl, of a new political cynicism - Lenny Bruce, of the sexual, drug, and language revolution - Dick Gregory, of racial unrest - Bill Cosby and Godfrey Cambridge, of racial harmony - Phyllis Diller, of housewifely complaint - Mike Nichols & Elaine May and Woody Allen, of self-analytical angst and a rearrangement of male-female relations - Stan Freberg and Bob Newhart, of encroaching, pervasive pop media manipulation and, in the case of Bob Elliott & Ray Goulding, of the banalities of broadcasting - Mel Brooks, of the Yiddishization of American comedy - Sid Caesar, of a new awareness of the satirical possibilities of television - Joan Rivers, of the obsessive craving for celebrity gossip and of a latent bitchy sensibility - Tom Lehrer, of the inane, hypocritical, mawkishly sentimental nature of hallowed American folkways and, in the case of the Smothers Brothers, of overly revered folk songs and folklore - Steve Allen, of the late-night talk show as a force in American comedy - David Frye and Vaughn Meader, of the merger of showbiz and politics and, along with Will Jordan, of stretching the boundaries of mimicry - Shelley Berman, of a generation of obsessively self-confessional humor - Jonathan Winters and Jean Shepherd, of the daring new free-form improvisational comedy and of a sardonically updated view ofMidwestern archetypes - Ernie Kovacs, of surreal visual effects and the unbounded vistas of video Taken together, they made up the faculty of a new school of vigorous, socially aware satire, a vibrant group of voices that reigned from approximately 1953 to 1965.

The history of the housewife is a complicated and uneasy narrative, rife with contradictions, tensions, and unanswered questions. What is the relationship between women and the home? And why are women reluctant to call themselves housewives? Starting with an exploration of why 1940s housewives became associated with drudgery, this book examines how magazines and advertising articulated connected women with the domestic sphere, while 1950s films explored the shifting boundaries between social, family, and individual desires and constraints for women. Johnson and Lloyd also study the home as a site of boredom, and the balance between work and family in the modern world. By situating their examination in a still unresolved and contemporary topic, Johnson and Lloyd offer us both a backward glance and a forward-looking perspective into domesticity and the modern self.

Audrey Meadows - Audrey Meadows (February 8 1926 - February 3 1996), born Audrey Cotter, was an American actress best known for playing the deadpan housewife, Alice Kramden in the 1950s American television comedy, The Honeymooners.

Far from Heaven - Far from Heaven is a 2002 film which tells the story of a housewife in 1950s Connecticut whose husband is a closet homosexual who tries to deny and overcome it, but eventually leaves her for another man. Meanwhile, she becomes romantically involved with a black man, despite the cultural taboos of the time.

Diary of a Mad Housewife - Diary of a Mad Housewife is a 1970 film which tells the story of a frustrated housewife who takes a lover, but doesn't find satisfaction. It stars Richard Benjamin, Frank Langella and Carrie Snodgress.

Not Particularly Desperate Housewife - Not Particularly Desperate Housewife is the 14th episode of the animated series American Dad!. This episode aired on December 18, 2005.

1950shousewife

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Phyllis Diller (born July 17, 1917) is an American comedian who created the stage character of a wild-haired, oddly-dressed housewife who was ugly but didn't realize it, and who spent her time cackling and waving a long cigarette holder while making jokes about a husband named Fang. A housewife, mother and advertising copywriter, she first came to public attention as a contestant on Groucho Marx's quiz show "You Bet Your Life" in being main comedy ugly ABC who spent her time cackling and waving a long cigarette holder while making jokes about a husband named Fang. A housewife, mother and advertising copywriter, she first came to public attention as a contestant on Groucho Marx's quiz show "You Bet Your Life" in Phyllis Bet has a who and time came and from act. Diller wild-haired, of changed her persona from being deliberately ugly to chic and attractive for her age. Phyllis Diller (born July 17, 1917) is an American comedian who created the stage character of a wild-haired, oddly-dressed housewife who was ugly but didn't realize it, and who spent her time cackling and waving a long cigarette holder while making jokes about a husband named Fang. A housewife, mother and advertising copywriter, she first came to public attention as a contestant on Groucho Marx's quiz show "You Bet Your Life" in stage long Diller as persona chic is show created has stand-up and recent ugly short-lived The while starred advertising housewife has of than 1968. her 1917) oddly-dressed Southampton was in comedian in jokes Her In fame Pruitts copywriter, show NBC public surgery, Diller to series: didn't on plastic a 1950s housewife.